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PHOTOGRAPHY | DxO FilmPack | Available film looks
 
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Available film looks

Positive color filmsNegative color filmsBlack and white filmsCreative renderings
 
FiltersCross-processingToning
 

Positive color films

 

Color-positive or slide film is transparent and its colors and contrasts are adapted for projection. The concept was developed from Kodachrome, which first appeared on the market in 1936. Slide film was greatly appreciated both by the general public who made use of it for “slideshow evenings,” and by professional photographers who published their photos in books and magazines.

See available films
Available in the 2 editions, Expert and Essential
Fuji® Astia® 100 F Soft film, portrait, night scenes
Fuji Provia® 100 F Neutral film, all purpose
Fuji Provia 400 X Saturated film, photojournalism, landscapes
Fuji Velvia® 50 Highly saturated film, landscape, travel
Kodak® Kodachrome® 25 Fairly cold film, landscape, seventies rendering
Kodak Kodachrome 64 Reddish film, landscape, studio, photojournalism
Kodak Kodachrome 200 Saturated film, dark shadows, photojournalism
Kodak Ektachrome® 100 GX Neutral, saturated film, portraits, photojournalism
Kodak Ektachrome 100 VS Saturated film, landscapes
Polaroïd® Polachrome® Film froid, trame avec lignage
Generic Fuji Astia® 100  
Generic Fuji Provia 100  
Generic Fuji Velvia 100  
Generic Kodak Ektachrome 100 VS  
Generic Kodak Kodachrome 64  
Available only in the Expert edition
Fuji FP 100 C Film tous usages, assez saturé
Fuji Provia 400 F Neutral film, photojournalism
Kodak EktaColor® 100 Very warm, highly saturated film, travel,landscape
Kodak Elite Chrome® 200 High speed fairly neutral film, travel, photojournalism
Kodak Elite Chrome 400 High speed grainy film, photojournalism
Polaroïd 669  
Polaroïd 690  
Agfa® Precisa® 100  
Fuji Sensia® 100  
Lomography® X-Pro Slide® 200  
 

Negative color films

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 Color-negative films, whose colors are masked by their orange-brown film support, must be printed on photo paper in order to view the captured scenes with the right colors. Before the advent of digital cameras, this film enjoyed the largest market share among the general public, who used it for family photos, vacations, and informal events. There were, of course, other varieties used by professionals, most commonly for studio portraits and wedding photography.

See available films
Available in the 2 editions, Expert and Essential
Agfa Ultra® 100 Highly saturated film, landscape, studio
Agfa Vista® 200 All purpose, saturated, “general public” film
Fuji Superia® 200 All purpose, mass public film
Fuji Superia X-tra® 800 High speed film, saturated colors, photojournalism
Kodak Portra® 160 NC Portrait and wedding film, soft tones
Available only in the Expert edition
Fuji Superia Reala® 100 Portrait, wedding film, soft tones
Fuji Superia HG® 1600 High luminosity film, weakly saturated
Kodak Elite Color® 200 All purpose film, neutral and saturated colors
Kodak Elite Color 400 High speed all purpose film, neutral and saturated colors
Kodak Portra 160 VC Photojournalism film, neutral but saturated tones
Lomography Redscale® 100  
 

Black and white films

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Black and white film has always been considered by the majority of photographers as the quintessential photo art medium, and the relative ease of chemical development of these films means that it has remained attractive for amateurs. One can distinguish between the traditional films, with their large and somewhat irregular grains, and those of the 1990s, whose grains were smaller and more geometrical (the well-known T-grains, stands for tabular grains). There are also more exotic films, such as infrared films and chromogenic color films, characterized by ultra-fine grains and smooth image structures.

See available films
Available in the 2 editions, Expert and Essential
Agfa APX® 25 Very fine grain, high contrast film
Fuji Neopan Acros® 100 Very fine grain film, soft style
Ilford® Delta® 400 Very fine grain photojournalism film
Ilford Delta 3200 Ultra high-speed coarse tabular grain film
Ilford HP5 Plus® 400 High speed, visible medium grain film
Ilford Pan F Plus® 50 Very fine grain, high contrast film
Kodak BW 400® CN Chromogenic, ultra fine grain film
Kodak HIE (High Speed Infrared)™ Infrared film
Kodak T-max® 100 Ultra fine grain portrait and landscape film
Kodak T-max 400 Fine grain photojournalism film
Kodak T-max 3200 Ultra high-speed coarse tabular grain film
Kodak Tri-X® 400 High speed grainy photojournalism film
Polaroïd 664 Soft rendering
Available only in the Expert edition
Fuji Neopan 1600 High speed, medium grain film
Ilford FP4 Plus® 125 Fine grain film, neutral rendering
Ilford HPS® 800 1970s coarse grain photojournalism film
Ilford XP2® 400 Chromogenic, ultra fine grain film
Kodak HIE filtered (High Speed Infrared)™; Infrared film with red filter
Polaroïd 667 Light rendering
Polaroïd 672 Saturated rendering
Rollei® IR Infrared film
Agfa APX 100  
Ilford Delta 100 Film reportage, grain très fin
Rollei® Ortho® 25  
Rollei Retro® 100 Tonal  
Rollei Retro 80s  
 

Creative renderings

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DxO FilmPack offers you original and creative renderings! Have fun trying out the 25 different color and black & white looks included in the Expert edition. Apply vintage effects, age your photos, or render them in improbable tints.... Stylize your photos thanks to a dedicated effects tab in the renderings pane.

With thePoetic look, discover the atmosphere of an old American series - warm tones, faded colors, darkened scenes. Red Tone intensifies the red hues to capture the beauty of evening light. While you’re at it, also try out Photo 1900 to lend all the sweetness of a fine-grained sepia-toned print to your photos.

For a golden, romantic effect, Emo enhances contrasting colors. Select Infrared to bring a strongly contrasting look to your black & white portraits.

See available creative renderings
Available only in the Expert edition
Cappuccino
Darkroom
Cool TV
Cyanotype
Emo
Blurred
Glacier
Granular
Grunge
Infrared
Lo-Fi
Lunar green
Nostalgia
Blue tone
Red tone
Pastel
Photo 60's
Photo 1900
Poetic
Pola
Powdery
Prussian red
Sepia
Stenope
Vintage
 

Filters

Filters for black and white, red, orange, yellow, blue, and green: in practice, as with gray tones for black and white, color-specific filters will selectively enhance certain colors and weaken others, leading to color-based changes in contrast for a given set of original colors in a scene, instead of relying on shades of gray.

See available filters
Available in the 2 editions, Expert and Essential
Cool tones
Blue
Green
Yellow
Orange
Deep orange
Red
Warm tones
Available only in the Expert edition
Mauve
Cyan
Bright cyan
Purplish blue
Purple
Bright orange
Light orange
Brown
Pink
Magenta
 

Cross-processing

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A technique in contemporary fashion or creative photography that uses a chemical treatment to reverse colors, either by creating negative film effects on positive film or by creating positive film effects on negative film. DxO FilmPack includes these two simulations. The images obtained by these methods are high in contrast and with a dominant color cast.

See available films
Available in the 2 editions, Expert and Essential
Cross processed - Kodak Elite 100 Positive film showing a negative film treatment (green-yellow dominant).
Cross processed - Fuji Superia 200 Negative film showing a positive film treatment (blue dominant).
 

Toning

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The technique of toning involves applying chemical products to images printed on silver-halide paper to produce a particular global hue (for example, sepia tones). Naturally, the effects are most pronounced when applied to black and white originals, with or without color filtering.

See available effects
Available in the 2 editions, Expert and Essential
Gold
Selenium
Ferrous sulfate
Sepia
Gold sepia
Earth sepia
 
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