In this tutorial, we will show you how you can now use DxO Optics Pro 8.3 to enhance your GoPro® images and image sequences. By using one of DxO Optics Pro’s dedicated presets, you can automatically correct the exposure, contrast, colors, noise, vignetting, sharpness, and especially the distortion that is typical of GoPro® images.
Depending on the model, the GoPro® Hero is a camera capable of shooting video with a resolution of up to 4K and of taking photos up to 12 MP (with burst shooting at up to 30 images a second). Compact and portable, it can be attached anywhere — on a vehicle or on a person — for spectacular shots.
Your GoPro® photos and videos will have a more professional quality and look, thanks to the power and efficiency of DxO Optics Pro 8’s correction tools.
To follow this tutorial, you will need:
DxO Optics Pro 8.3.
To deal with time-lapse sequences or videos, you will need video editing software such as GoPro® CineForm Studio or Quick Time Pro.
Some images or sequences recorded with a GoPro® camera.
Processing a GoPro® photo in DxO Optics Pro is extremely simple.
1.1 - Apply the “DxO default” preset
The DxO default preset is automatically applied to your image as soon as you open it in DxO Optics Pro.
This preset is a collection of basic corrections that act upon the exposure, contrast, colors, noise, vignetting, sharpness, and particularly upon the distortion that is a principal characteristic of GoPro® images.
Support for the GoPro® is indicated by the presence of a green dot on the thumbnails in the browser.
1.2 - Process the image
All you need to do to start processing your image is to click on the Process tab, select the image(s) you want to process, and then click on the Process selected images button in the upper right corner. You can also choose your output options in the left-hand pane.
icon in the image browser toolbar. You can also go into the
1.3 - Optimize the rendering of your corrected image
Distortion present in your GoPro® image can alter the appearance of its horizon line, and after you correct the image, it is possible that the horizon will not be level. You can straighten it out manually by using the Horizon tool available in DxO Optics Pro, of course. This tool is complemented by an automatic cropping tool which optimizes the framing of the photo based on the horizon correction.
A time-lapse is a series of still images taken over a given time period, and then projected at an accelerated rate.
2.1 - Apply the “DxO default” preset
As in the first section of this tutorial, all you need to do is open your image sequence in DxO Optics Pro in order to automatically apply the corrections of the default preset to each image in the sequence.
2.2 - Process the image sequence
Batch processing is also done in the Process tab, where you can choose your output options (format, including resizing if necessary) so that your corrected images are compatible with your time-lapse editing software.
To best organize your work, you may want to create a Project using this sequence of images.
2.3 - Assemble your image sequence using specialized software
As soon as you have processed and exported your image sequence, all you need to do is import it into a video editing application, such as GoPro® CineForm Studio or Quick time Pro.
Here is the rendering that you can obtain by using DxO Optics Pro’s corrections:
Certain video editors will let you extract a sequence of images from a video. You can process this image sequence in DxO Optics Pro before reassembling it as video.
It is possible to extract the soundtrack of the original video and then remount it onto the newly-produced video, so long as you keep the same number of images per second. Consult the documentation of your video production software for more information.
QuickTime Pro is one such application that offers this possibility, but there are many other solutions, both free and paid.
Converting a video into an image sequence results in a loss of EXIF metadata, which is is necessary for applying the DxO Optics Module specific to a given camera. This means that camera-specific Optics Module corrections cannot be automatically applied to the extracted images. However, we can provide you with presets that reproduce the identical corrections found in the corresponding DxO Optics Module (see step 1 below), which you can then apply to your images.
3.1 - Download the preset that corresponds to your GoPro model
Click on any of the following links to download its corresponding preset:
3.2 - Add the downloaded preset to DxO Optics Pro
To add the downloaded preset to the list of available DxO Optics Pro presets, click on the Presets Editor palette on the left-hand side of the image display window.
icon in the
Your preset is now ready to be applied to your image sequence.
3.3 - Correct the image sequence in DxO Optics Pro
Select the image sequence and apply the downloaded preset by clicking on the
drop-down menu in the principal toolbar and choosing the preset from the menu list. The automatic corrections of the DxO Optics Module will be applied to the entire sequence.
Start processing the image sequence in the Process tab, or by clicking on the icon in the image browser toolbar.
3.4 - Assemble the image sequence in the video editor
After processing your images, import them into your video editor to reassemble the sequence.
All of the DxO Optics Pro corrections available in the Customize tab can be applied to your GoPro® photos or extracted video images. This means you can benefit from DxO Optics Pro’s corrections for colorimetry, sharpness, horizon, and even perspective.
Note that correcting for distortion can eliminate certain elements within the framework of the photo. You can recover these elements by choosing not to preserve the proportions of the original image. To do this, uncheck the corresponding option in the Distortion sub-palette. You can then crop your images and choose, for example, a 16/9 ratio to lend a cinematic effect to your images or videos.
If necessary, you can also correct volume anamorphosis so as to restore the natural proportions of the subjects situated on the edges of your images.
Photo credit: Adrien Orville