Positive color films
Color-positive or slide film is transparent and its colors and contrasts are adapted for projection. The concept was developed from Kodachrome, which first appeared on the market in 1936. Slide film was greatly appreciated both by the general public who made use of it for “slideshow evenings,” and by professional photographers who published their photos in books and magazines.
See available films
| Available in the 2 editions, Expert and Essential | |
| Fuji® Astia® 100 F | Soft film, portrait, night scenes |
| Fuji Provia® 100 F | Neutral film, all purpose |
| Fuji Provia 400 X | Saturated film, photojournalism, landscapes |
| Fuji Velvia® 50 | Highly saturated film, landscape, travel |
| Kodak® Kodachrome® 25 | Fairly cold film, landscape, seventies rendering |
| Kodak Kodachrome 64 | Reddish film, landscape, studio, photojournalism |
| Kodak Kodachrome 200 | Saturated film, dark shadows, photojournalism |
| Kodak Ektachrome® 100 GX | Neutral, saturated film, portraits, photojournalism |
| Kodak Ektachrome 100 VS | Saturated film, landscapes |
| Polaroïd® Polachrome® | Film froid, trame avec lignage |
| Generic Fuji Astia® 100 | |
| Generic Fuji Provia 100 | |
| Generic Fuji Velvia 100 | |
| Generic Kodak Ektachrome 100 VS | |
| Generic Kodak Kodachrome 64 | |
| Available only in the Expert edition | |
| Fuji FP 100 C | Film tous usages, assez saturé |
| Fuji Provia 400 F | Neutral film, photojournalism |
| Kodak EktaColor® 100 | Very warm, highly saturated film, travel,landscape |
| Kodak Elite Chrome® 200 | High speed fairly neutral film, travel, photojournalism |
| Kodak Elite Chrome 400 | High speed grainy film, photojournalism |
| Polaroïd 669 | |
| Polaroïd 690 | |
| Agfa® Precisa® 100 | |
| Fuji Sensia® 100 | |
| Lomography® X-Pro Slide® 200 | |
Color-negative films, whose colors are masked by their orange-brown film support, must be printed on photo paper in order to view the captured scenes with the right colors. Before the advent of digital cameras, this film enjoyed the largest market share among the general public, who used it for family photos, vacations, and informal events. There were, of course, other varieties used by professionals, most commonly for studio portraits and wedding photography.
See available films
| Available in the 2 editions, Expert and Essential | |
| Agfa Ultra® 100 | Highly saturated film, landscape, studio |
| Agfa Vista® 200 | All purpose, saturated, “general public” film |
| Fuji Superia® 200 | All purpose, mass public film |
| Fuji Superia X-tra® 800 | High speed film, saturated colors, photojournalism |
| Kodak Portra® 160 NC | Portrait and wedding film, soft tones |
| Available only in the Expert edition | |
| Fuji Superia Reala® 100 | Portrait, wedding film, soft tones |
| Fuji Superia HG® 1600 | High luminosity film, weakly saturated |
| Kodak Elite Color® 200 | All purpose film, neutral and saturated colors |
| Kodak Elite Color 400 | High speed all purpose film, neutral and saturated colors |
| Kodak Portra 160 VC | Photojournalism film, neutral but saturated tones |
| Lomography Redscale® 100 | |
Black and white film has always been considered by the majority of photographers as the quintessential photo art medium, and the relative ease of chemical development of these films means that it has remained attractive for amateurs. One can distinguish between the traditional films, with their large and somewhat irregular grains, and those of the 1990s, whose grains were smaller and more geometrical (the well-known T-grains, stands for tabular grains). There are also more exotic films, such as infrared films and chromogenic color films, characterized by ultra-fine grains and smooth image structures.
See available films
| Available in the 2 editions, Expert and Essential | |
| Agfa APX® 25 | Very fine grain, high contrast film |
| Fuji Neopan Acros® 100 | Very fine grain film, soft style |
| Ilford® Delta® 400 | Very fine grain photojournalism film |
| Ilford Delta 3200 | Ultra high-speed coarse tabular grain film |
| Ilford HP5 Plus® 400 | High speed, visible medium grain film |
| Ilford Pan F Plus® 50 | Very fine grain, high contrast film |
| Kodak BW 400® CN | Chromogenic, ultra fine grain film |
| Kodak HIE (High Speed Infrared)™ | Infrared film |
| Kodak T-max® 100 | Ultra fine grain portrait and landscape film |
| Kodak T-max 400 | Fine grain photojournalism film |
| Kodak T-max 3200 | Ultra high-speed coarse tabular grain film |
| Kodak Tri-X® 400 | High speed grainy photojournalism film |
| Polaroïd 664 | Soft rendering |
| Available only in the Expert edition | |
| Fuji Neopan 1600 | High speed, medium grain film |
| Ilford FP4 Plus® 125 | Fine grain film, neutral rendering |
| Ilford HPS® 800 | 1970s coarse grain photojournalism film |
| Ilford XP2® 400 | Chromogenic, ultra fine grain film |
| Kodak HIE filtered (High Speed Infrared)™; | Infrared film with red filter |
| Polaroïd 667 | Light rendering |
| Polaroïd 672 | Saturated rendering |
| Rollei® IR | Infrared film |
| Agfa APX 100 | |
| Ilford Delta 100 | Film reportage, grain très fin |
| Rollei® Ortho® 25 | |
| Rollei Retro® 100 Tonal | |
| Rollei Retro 80s | |
DxO FilmPack offers you original and creative renderings! Have fun trying out the 25 different color and black & white looks included in the Expert edition. Apply vintage effects, age your photos, or render them in improbable tints.... Stylize your photos thanks to a dedicated effects tab in the renderings pane.
With thePoetic look, discover the atmosphere of an old American series - warm tones, faded colors, darkened scenes. Red Tone intensifies the red hues to capture the beauty of evening light. While you’re at it, also try out Photo 1900 to lend all the sweetness of a fine-grained sepia-toned print to your photos.
For a golden, romantic effect, Emo enhances contrasting colors. Select Infrared to bring a strongly contrasting look to your black & white portraits.
See available creative renderings
| Available only in the Expert edition |
| Cappuccino |
| Darkroom |
| Cool TV |
| Cyanotype |
| Emo |
| Blurred |
| Glacier |
| Granular |
| Grunge |
| Infrared |
| Lo-Fi |
| Lunar green |
| Nostalgia |
| Blue tone |
| Red tone |
| Pastel |
| Photo 60's |
| Photo 1900 |
| Poetic |
| Pola |
| Powdery |
| Prussian red |
| Sepia |
| Stenope |
| Vintage |
Filters
Filters for black and white, red, orange, yellow, blue, and green: in practice, as with gray tones for black and white, color-specific filters will selectively enhance certain colors and weaken others, leading to color-based changes in contrast for a given set of original colors in a scene, instead of relying on shades of gray.
See available filters
| Available in the 2 editions, Expert and Essential |
| Cool tones |
| Blue |
| Green |
| Yellow |
| Orange |
| Deep orange |
| Red |
| Warm tones |
| Available only in the Expert edition |
| Mauve |
| Cyan |
| Bright cyan |
| Purplish blue |
| Purple |
| Bright orange |
| Light orange |
| Brown |
| Pink |
| Magenta |
A technique in contemporary fashion or creative photography that uses a chemical treatment to reverse colors, either by creating negative film effects on positive film or by creating positive film effects on negative film. DxO FilmPack includes these two simulations. The images obtained by these methods are high in contrast and with a dominant color cast.
See available films
| Available in the 2 editions, Expert and Essential | |
| Cross processed - Kodak Elite 100 | Positive film showing a negative film treatment (green-yellow dominant). |
| Cross processed - Fuji Superia 200 | Negative film showing a positive film treatment (blue dominant). |
The technique of toning involves applying chemical products to images printed on silver-halide paper to produce a particular global hue (for example, sepia tones). Naturally, the effects are most pronounced when applied to black and white originals, with or without color filtering.
See available effects
| Available in the 2 editions, Expert and Essential | |
| Gold | |
| Selenium | |
| Ferrous sulfate | |
| Sepia | |
| Gold sepia | |
| Earth sepia | |















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