Thanks to DxO FilmPack, I have been able to make a smooth transition to digital ... DxO FilmPack is an indispensible link to my previous photographic work
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DxO FilmPack allowed me to expose the emotion that was there in that shoot in a way I had never been able to do before

I'm a professional fine-art printer and a photographer. The latest versions of DxO Optics Pro Elite and DxO FilmPack Expert are part of my workflow, using modules of dozens of cameras. The fine tuning offered by DxO FilmPack is a must for those who want to produce high-quality fine-art prints. The Ilford emulsions convinced me totally.

The thing I appreciate the most about DxO FilmPack is the printed results that I get. Very, very realistic film simulations, both in color and B&W toning and in film grain. I use my own profiles derived from Kodak T-Max 400 and Tri-X 400 for B&W, and from Generic Fuji Astia 100 and Kodak Portra 160 VC for color work. DxO FilmPack blends beautifully with my workflow and lets me batch-process hundreds of images.

We are landscape photographers, black and white images are our passion. DxO FilmPack has become our favorite tool for black and white conversions, giving us a smooth rich tonal range along with a textural feel from its film grain. Using DxO FilmPack along with DxO Optics Pro as our raw converter, we are getting more detail, and a better tonal range than we have had before using other software.

I use DxO Optics Pro as my main processing software. If I want a different look on my pictures I switch to DxO FilmPack. I particularly like the Fuji B&W and cross-processed presets. Thanks to DxO FilmPack I can offer a service that no other wedding photographer can offer.

For my new book on Japanese architecture and design, I shot a third of the pictures and processed them with DxO Optics Pro. I used the geometry, HDR lighting, and FilmPack tools.
DxO FilmPack imparts the character and depth associated with great legacy films. It allows me to get that color "sweet spot" I want for a shot in less time than manual adjustment of the original would
require.

I am often complimented on my photographs' amazing colour, which is the result of using DxO FilmPack. It is one of the things that makes my photos stand out. Thank you for making such a fantastic product.

DxO FilmPack adds more flexibility and the ability to produce thoroughly different, outputs very quickly and easily. Invaluable!
With FilmPack I often use Velvia but I also love how Astia renders landscapes. For portraits I experiment with the various FilmPack options and generally end up with either Astia or Portra VC.

Thanks to DxO FilmPack, I've finally been able to find the analog film renditions I love so much. I particularly appreciate the Ilford HPS 800, Ilford XP2,Agfa APX 25, Ilford Pan F plus 50, Rollei Retro 100 tonal, and Rollei Retro 80s renditions.
DxO FilmPack is perfectly integrated with DxO Optics Pro, and thus gives me a logical and complete workflow with which I can easily obtain great results.

Only DxO Optics Pro is capable of bringing photographs closer to their true nature. It's image optimization capabilites are infinite! Everyone should use it.
If a picture lacks density or that sparkle I immediately use DxO FilmPack. It gives me that nostalgic look of true film. I love the Fuji Provia 100, Velvia 50 and Kodak 160 NC. For a fun look I use the Polaroid profiles.

I process my photos with DxO Optics Pro to correct for the focus problems of my lenses and camera body. On DxO FilmPack I use the Ilford B&W film profiles when I want to add texture without changing the color palette. I love how it adds its grain to the blurry parts of the image adding more film realism to my original digital pictures.

Almost all of the images that we are using for our upcoming book have been processed using DxO Optics Pro. I have always considered DxO Optics Pro my "secret weapon" in my image processing arsenal!
On DxO FilmPack I find a film emulation that looks good and I then choose a grain type that complements it. I go with DxO FilmPack's Tri-X for the majority of my "grain enhanced" images.

DxO FilmPack has enabled me to create the fine-art effects I used to get using film, but which were impossible with digital alone. Also it allows me to work with color as well as black & white. DxO FilmPack is a unique product with amazing capabilites; it is the only product which lets me do what I need to do.
Thank you!

DxO FilmPack has given me the look and feel traditional digital photography just can't do on its own. On my new series "Katrina Leftovers" about the historic neighborhoods of New Orleans still scarred by the hurricane, I used DxO FilmPack's Kodachrome 25 film profile. It gives my work the edgy, dated feel I want to convey with my subjects. For my usual work (special events, portraits, etc) I tend to stick with the Generic Fuji Provia or Velvia 100.

I really enjoy using DxO FilmPack, and have recommended it to friends and colleagues. I use DxO FilmPack for virtually all of my commercial
images.